The 2020 Eisner Awards winners were announced at the end of July. I had missed the opportunity to post this when announced because I was still thinking about how to redesign ComicReaders’ Web site, but I knew it would be one of the first things I wanted to write about when the Web site had been re-designed.
What I personally enjoy about the Eisners is the variety of subject matter and the diversity of the creators represented in the nominees and winners. I also like that award-winning books come from a variety of publishers and, likewise, that award-winning creators create material for a wide variety of publishers. There is never one creator or one publisher that racks up all the awards. I think people who follow the Eisners already follow the comics industry more closely than a casual reader, but I like to think that the Eisner seal of approval exposes all readers to books, creators, and publishers with which they might not be overly familiar.
I know an Oscar-winning movie can enjoy a larger audience. I hope that is the same for Eisner winners.
The list of winners is below, with some personal comments from me where applicable.
Best Short Story
“Hot Comb,” by Ebony Flowers, in Hot Comb (Drawn & Quarterly)
Best Single Issue/One-Shot
Our Favorite Thing Is My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)
Best Continuing Series
Bitter Root, by David Walker, Chuck Brown, and Sanford Greene (Image)
I have to admit that Bitter Root has been on my “to read” list for many, many months. I am attracted to its art style. I’ll have to bump it up the list now that it has won this prestigious award.
Best Limited Series
Little Bird by Darcy Van Poelgeest and Ian Bertram (Image)
Gorgeous art really drives the story home.
Best New Series
Invisible Kingdom, by G. Willow Wilson and Christian Ward (Berger Books/Dark Horse)
Dark Horse has had a rough couple of years with the loss of the Star Wars, Conan, Aliens, and Predator licenses, controversy around one of its leading editors, and now a slow start to releasing material during the pandemic. In light on those things it can sometimes be easy to forget what a creative force Dark Horse has been in the industry for 30+ years. Awards like this for creators is a good reminder that Dark Horse is a company that takes risks on new creators, takes the time curate a diverse line of comics across numerous genres, and is still a relevant and welcome publisher in the industry.
Best Publication for Early Readers
Comics: Easy as ABC, by Ivan Brunetti (TOON)
Best Publication for Kids
Guts, by Raina Telgemeier (Scholastic Graphix)
Anything with the Telgemeier name on it is going to be a hit in schools, libaries, book stores and comic shops.
Best Publication for Teens
Laura Dean Keeps Breaking Up with Me, by Mariko Tamaki and Rosemary Valero-O’Connell (First Second/Macmillan)
Here is a read that has had great success at ComicReaders Downtown.
Best Humor Publication
The Way of the Househusband, vol. 1, by Kousuke Oono, translation by Sheldon Drzka (VIZ Media)
I stocked this manga because the description sounded like it could be a bizarre read. I did not realize at the time that it was a straight up comedy.
Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival, edited by Diane Noomin (Abrams)
Best Reality-Based Work
They Called Us Enemy, by George Takei, Justin Eisinger, Steven Scott, and Harmony Becker (Top Shelf)
Best Graphic Album – New
Are You Listening? by Tillie Walden (First Second/Macmillan)
Here is another one that keeps finding new readers at ComicReaders Downtown.
Best Graphic Album – Reprint
LaGuardia, by Nnedi Okorafor and Tana Ford (Berger Books/Dark Horse)
Best Adaptation from Another Medium
Snow, Glass, Apples, by Neil Gaiman and Colleen Doran (Dark Horse Books)
I have to be honest and say I missed ordering this one. I’ve had a few customers ask for it and I was quick to bring it in for them. Neil Gaiman still has a following.
Best U.S. Edition of International Material
The House, by Paco Roca, translation by Andrea Rosenberg (Fantagraphics)
Best U.S. Edition of International Material – Asia
Tie: Cats of the Louvre, by Taiyo Matsumoto, translation by Michael Arias (VIZ Media) and Witch Hat Atelier, by Kamome Shirahama, translation by Stephen Kohler (Kodansha)
Best Archival Collection/Project – Strips
Krazy Kat: The Complete Color Sundays, by George Herriman, edited by Alexander Braun (TASCHEN)
Best Archival Collection/Project – Comic Books
Stan Sakai’s Usagi Yojimbo: The Complete Grasscutter Artist Select, by Stan Sakai, edited by Scott Dunbier (IDW)
Mariko Tamaki, Harley Quinn: Breaking Glass (DC); Laura Dean Keeps Breaking Up with Me (First Second/Macmillan); Archie (Archie)
I remember many years ago when Dana from ComicReaders South invited Mariko Tamaki to the store to promote and sign her graphic novel Skim. Dana was devastated by the low turnout. Now Mariko Tamaki is one of the biggest named in comics, but even then she was a talent.
Raina Telgemeier, Guts (Scholastic Graphix)
Best Penciller/Inker or Penciller/Inker Team
Rosemary Valero-O’Connell, Laura Dean Keeps Breaking Up with Me (First Second/Macmillan)
Best Painter/Digital Artist
Christian Ward, Invisible Kingdom (Berger Books/Dark Horse)
Best Cover Artist
Emma Rios, Pretty Deadly (Image)
Dave Stewart, Black Hammer, B.P.R.D.: The Devil You Know, Hellboy and the BPRD (Dark Horse); Gideon Falls (Image); Silver Surfer Black, Spider-Man (Marvel)
I’m pretty sure Dave Stewart has won this award every year since he got into colouring comics. I’m not going to fact check that though.
Stan Sakai, Usagi Yojimbo (IDW)
A year or so ago I had a really good conversation with a customer about the art of hand lettering comics. I wish I had a transcript of that conversation. Also related to lettering— since I’ve been involved in some comic projects as a writer I’ve worked with letterers and I’ve learned a lot about the craft of lettering, including placement of dialogue to ensure the proper flow for the reader. Lettering is one of those things you won’t notice when it’s done correctly.
Best Comics-Related Periodical/Journalism
Women Write About Comics, edited by Nola Pfau and Wendy Browne, www.WomenWriteAboutComics.com
Best Academic/Scholarly Work
EC Comics: Race, Shock, and Social Protest, by Qiana Whitted (Rutgers University Press)
Best Publication Design
Making Comics, designed by Lynda Barry (Drawn & Quarterly)
Best Digital Comic
Afterlift, by Chip Zdarsky and Jason Loo (comiXology Originals)
Fried Rice Comic, by Erica Eng
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