Category Archives: Features / Columns

A Return to Physical Comics

I’ve been a comic book fan since I was a very young child. They have been such a mainstay in my life, that it’s hard to think of a life without them. Growing up, they were a refuge from bullies and a place to see characters that had become friends of a sort, offering comfort and escape from reality when I needed it. As I got older, they were a source of inspiration that I used in my own creative endeavors.

My wife says I got a lot of my morals from comic books, and I can’t disagree with her. When Spider-Man learned “With Great Power Comes Great Responsibility”, I took that phrase to heart. No, I’m not more special than anyone else, but I’ve always believed that if you have the opportunity and ability to help someone, you should do it.

My friends and family equate me with comic knowledge, and I wholeheartedly accept that assertion. I can’t remember what I had for breakfast last week, but I can tell you who the creative team on Superman #16 from 1986 was.

I read Marvel and DC equally over the years, with indies thrown in as time went on. From Secret Wars and Crisis on Infinite Earths, to Civil War and Flashpoint, I was there for every major event. Eventually, some things changed.

First off, I had a daughter. Wouldn’t change anything about having her, but the reality of a dual income household becoming a single income with an extra boarder, made our finances change. No longer was the disposable income there for buying lots of comics. Diapers aren’t cheap!

Second, DC Comics began ‘The New 52’. They restarted everything over again after Flashpoint. What came before was no more. This was a new DC Universe. I signed up for all 52 DC series in September 2011, cautious but excited to see what we as readers were in store for.

Within 3 months, I had cancelled nearly every DC comic from my pull list. These new books didn’t ring a bell for me. They weren’t the same characters I had known for years, and my interest went away quickly. When it came time to decide to cancel my pull list entirely, I was sad. This was the first time since the 1980s I would not be buying comics. My Marvel portion of the list had been going down as well; things just weren’t interesting me like they used to. I was sad, but when the pull list was closed, I was more disappointed than anything else. That’s when I realized that I was wanting quality over quantity.

A couple of years later, I did subscribe to Marvel Unlimited. It is six months behind on issue releases and there is no ownership, but it allowed me to keep up on Marvel on a budget. Marvel had a lot of things going on, but what got my interest was Jonathan Hickman and his work on the Avengers. I went back and read his Fantastic Four and other work. I was amazed at the world building and long game he played in all his work. He was writing the kind of comics I wanted to read.

Jonathan Hickman’s talent at world building and his interest in telling long stories within his series is likely one of the reasons why Marvel hired him to orchestrate a revival of the X-Men.

I heard in 2019 Hickman had taken on the X-Men, so my interest was piqued. I read the House of X / Powers of X lead-in series and couldn’t believe it… Hickman had found a way to completely reinvent the X-Men. He had done it with the Fantastic Four; he had done it with the Avengers. I should not have been surprised. His work blew me away. I needed to get back in the normal habit of reading his work. Thus, I started a pull list again for the first time in years. All of the X-titles are on it, and Chad & Comicreaders were great in getting me caught up on the back issues I was behind on.

X of Swords is an epic in 22 parts that runs through most of the X-Men comics.

I’m getting into X of Swords, the latest X-event, and am loving it. I’ve loved each of the series to date and the entire tapestry Hickman and Co. have made is fantastic. If Marvel simply put Hickman in charge of all of their publishing, I would be a happy camper.

I’m glad to be back reading physical comics and making that trek to the comic store several times a month. It’s a good time to be an X-Men fan, and I’m loving every minute of it. (Mike Hintze)

Puzzling Puzzle

I am currently in the midst of building the most frustrating and most difficult puzzle I’ve encountered. It is a stylized 1000 piece art puzzle of Pennywise from It Chapter Two. It’s a puzzle released by The OP (Usaopoly), a Southern California-based company that specializes in licensed puzzles and licensed versions of Monopoly. As I struggle with this puzzle I’m not sure if it is difficult by design or difficult by design flaw.

This Pennywise puzzle is proving to be a challenge.
This Pennywise puzzle is proving to be a challenge.

I started this puzzle with one of my sons. We had recently completed a 1000 piece Super Mario puzzle from The OP. That one was challenging because of the subtle color variation and the large sections of the same color and pattern. In looking for our next puzzle, I selected the Pennywise because my son is an It fan (both versions of the movie) and I thought there was enough detail in the art that my son would be able to pattern match and thus stay engaged with the puzzle throughout its build. (He walked away from the Mario one for a period of time, leaving me with the more difficult parts, and then swooping back in near the end to help finish it off.)

When Pennywise was cracked and we got down to the business, I directed my son to start on the little bit of text and then the large spider-web effect while I started the edges. I’ve always been a big fan of building the frame first. I think it helps to see the size of the space in which you are working and the frame often has visual cues that can help you as starting points for your build. This opinion originates with my mom with whom I puzzled as a youngster. I can’t remember for certain but I suspect my mom developed this plan when she puzzled with her mom back in the day. I don’t remember doing puzzles with my grandma, but I do know she and several of my aunts were often doing puzzles. For many years, my sister and I would help my mom pick out a puzzle to send to our grandma for Christmas. My mom would sometimes turn down our selection because it might be too easy for my grandma, who was a seasoned puzzler. I know eventually we stopped sending puzzles as grandma aged. I know my sister and I eventually stopped doing puzzles with mom. My mom and grandma are both gone now but I sometimes think of them both as I work on a new puzzle.

The less hair on my head the more reflective I get.

An hour or so into our first sit down with Pennywise it became apparent to me that building the frame was going to be tricky. There were no discerning characteristics to help determine where the pieces belonged. The pieces were either black, a shade almost black, or a green/black that looked black until you got it alongside one of its fellows. I abandoned the frame and decided to help my son with Pennywise. He had made quick work of the text but had hit a snag with the spider-web. I shifted his focus (and mine) to the blood drip-like effects. I fished out of the pieces and my son put them together. He also had some early success with the mouth of little sharp teeth.

Then the wheels started to come off.

One of the challenges we faced was the cut of the pieces often obliterated any recognizable pattern in the art. Was that dark streak some of Pennywise’s hair, a part of a tentacle, or some of the many areas of brown shadowing on orange? The subtle differences in shades of orange was difficult to discern. Same too for the greens. Same too for the various shades of black.

In an effort to keep my son into the puzzle, I packed up all the black only and green/black only pieces. This left us with a sizable sea of greens and oranges with seemingly nonsensical streaks of browns.

Schmidt puzzles
This puzzle from Schmidt is the puzzle that got me back into puzzles in 2013.

My son wandered off and has not yet fully returned.

I got back into puzzles in 2013. I had brought a number of Schmidt Spiele and Anatolian puzzles into ComicReaders Downtown. The store had always carried licensed puzzles but I had more and more inquiries about more typical puzzles like landscapes. Schmidt Spiele — a board game and puzzle publisher from Germany– and Anatolian– which has its roots in Turkey, I do believe, but has offices in various countries– offered a wide variety of stunning puzzles ranging from 500 pieces to 3000 pieces. My first personal purchase from this line was a Schmidt puzzle of a Napoleonic era British ship. The timing of this find was perfect because I was well along in reading Patrick O’Brian’s Aubrey / Maturin novels. I had done that one on my own and now it was looking like I was going to be flying solo on Pennywise.

Alone, I had several sessions of little or no progress. I even moved the puzzle outside for a day. I thought the natural light would help me better recognize the subtle differences in shades of orange and green. Back inside and under ceiling lights that create glare, I decided the only way I could make progress was to organize the oranges and greens. I did this tedious task, but it really did help. The puzzle mat was now a tableau of different types of oranges and greens grouped together. I tackled each group separately and was soon making excellent progress. I stumbled for a while when I had to build the various tentacles. You’d think by looking at the box art that the tentacles would be easy but the size and design variation is not readily apparent on the individual pieces.

My son checks on me from time to time and gives encouraging remarks and nods of the head to show he’s impressed with my progress. I do feel a sense of triumph for each section I finish. When I placed the last orange and green pieces, thus finishing Pennywise, I called my wife and sons to the basement so I could proudly show off my accomplishment.

Now I am left with a box of black only pieces, almost black pieces, and black/green pieces that look a lot like black pieces until you get them alongside their fellows. I’ve started organizing these various shades. I’ve done much, but the reality is I’ve still got a long way to go. I also know for a fact that this frustrating puzzle is NOT going back in the box when finished. I’m going to glue it, frame it, and hang it on the wall like a trophy. (Chad Boudreau)